[美] 丹尼尔·亚伯拉罕 (Daniel Abraham)，1969年生的美国作家，上世纪九十年代中期开始从事幻想文学创作，曾在写作工坊中拜在世界幻想文学第 一泰斗乔治·R.R.马丁门下学习，两人结成了亦师亦友的关系，因此在后辈奇幻文学家中，被誉为是乔治·马丁的接班人。亚伯拉罕的代表作包括史诗奇幻“漫长的代价”四部曲，太空歌剧系列“扩张”、都市奇幻系列“黑日之女”和近期新的集大成的史诗奇幻与乔治·R.R.马丁、加德纳·多佐伊斯共同完成的科幻小说《猎人行》。

[美] 丹尼尔·亚伯拉罕 (Daniel Abraham)，1969年生的美国作家，上世纪九十年代中期开始从事幻想文学创作，曾在写作工坊中拜在世界幻想文学第 一泰斗乔治·R.R.马丁门下学习，两人结成了亦师亦友的关系，因此在后辈奇幻文学家中，被誉为是乔治·马丁的接班人。亚伯拉罕的代表作包括史诗奇幻“漫长的代价”四部曲，太空歌剧系列“扩张”、都市奇幻系列“黑日之女”和近期新的集大成的史诗奇幻与乔治·R.R.马丁、加德纳·多佐伊斯共同完成的科幻小说《猎人行》。

The great war cannot be stopped. The tyrant Geder Palliako had led his nation to war, but every victory has called forth another conflict. Now the greater war spreads out before him, and he is bent on bringing peace. No matter how many people he has to kill to do it. Cithrin bel Sarcour, rogue banker of the Medean Bank, has returned to the fold. Her apprenticeship has place...(展开全部)

"Do what thou wilt shall be the whole of the Law." This oft-misunderstood phrase, which forms the basis for Crowley's practice of Magick, is found in The Book of the Law. Dictated to Crowley in Cairo between noon and 1 pm on three success days in April 1904, the Book of the Law is the source book and key for Crowley students and for the occult in general. For the first time the...(展开全部)

What is objectivity? What is the rule of law? Are the operations of legal systems objective? If so, in what ways and to what degrees are they objective? Does anything of importance depend on the objectivity of law? These are some of the principal questions addressed by Matthew H. Kramer in this lucid and wide-ranging study that introduces readers to vital areas of philosophical...(展开全部)

威尔基·柯林斯(Wilkie Collins)，于1824年1月8日生于伦敦，1889年9月23日死在伦敦。父亲是个风景画家。他12岁时随父母迁居意大利，三年后回国，就读于海伯里私立寄宿学校，曾在茶叶公司工作，后改学法律，在伦敦林肯法学协会当过律师。1847年，父亲死后，他才开始以写作为生。第一部作品是《威廉·柯林斯》传，不久就从事小说创作。一开始成绩平平，后来他结识了当代文豪狄更斯，成为莫逆之交，并为狄更斯主编的，当时最风行的杂志经常撰稿。他的长篇小说往往在这本杂志上先发表，然后出单行本。这期间他写了不少小说，大都以侦破犯罪事件为题材，柯林斯即以此种小说蜚声社会，享誉30余年，但他作品虽多，而得以流传后世并得到肯定的仅有《月亮宝石》和成名作《白衣女人》两部。

RA: 无限的东西不能是许多个，因为许多(many-ness)是一个有限的概念。要有无限，你必须辨识或定义无限为合一(Unity)；否则这个词汇就没有任何意义。在一个无限的造物者之中只有合一的存在。你们都看过合一的简单例子，一个三棱镜(prism)展现所有颜色来自于阳光这是关于合一的简化示范。 事实上，没有对或错，也没有极性，你们舞动着穿越心身灵复合体(complex)，你们此刻以不同的变貌娱乐自己，但一切终会在某个时点达成和谐。 这些变貌在任何情况下都不是必须的，而是由你们每一位所选择，做为另一种理解包罗万有的完整合一的方式。现在不是说一个类似或有点像的东西，你是一切事物，每一个存有，每一个表情，每一个事件，每一种情境，你是合一，你是无限。你是爱/光，光/爱。你是你本是。这就是一的法则。

Written by the eminentGerman legal historian, Michael Stolleis, these two ‘Essays on Legal History’ offer an original andcompelling history of the symbolism through which law is characterised as being 'above' us. In ‘The Eye of the Law’, the history of this metaphor is followed from antiquity through to the present day: from the Greek Eye of Justice, the eye of the impartial ju...(展开全部)

Written by the eminent German legal historian, Michael Stolleis, these two ‘Essays on Legal History’ offer an original and compelling history of the symbolism through which law is characterised as being 'above' us. In ‘The Eye of the Law’, the history of this metaphor is followed from antiquity through to the present day: from the Greek Eye of Justice, the eye of the impartial ...(展开全部)